{"product_id":"the-colors-and-metalwork-of-revealing-the-mystery-behind-the-architectural-beauty-of-its-shrines-and-temples","title":"The Colors and Metalwork of  Revealing the mystery behind the architectural beauty of its shrines and temples","description":"\u003cdiv class=\"subgrid-container subtitle\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003eContents\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e2 Forword\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e4 Exhibition Prologue\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container subtitle\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e〈Introduction〉\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e8 UNESCO’s Intangible Cultural Heritage of “Traditional skills, techniques and knowledge for the conservation and transmission of wooden architecture in Japan” and “Shrines and Temples of Nikko” World Heritage Site | Teruhisa Funato\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container subtitle\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e〈Illustrations〉\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e20 Urushi Lacquer Painting and Coloring in Nikko\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e40 “Techniques handed down alongside recoloring” | Interview with Shigeyuki Tezuka\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e44 “Urushi lacquer: a versatile natural material” | Interview with Koichi Hirota\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e48 Joboji Urushi Lacquer Tapping\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e52 “Clean work collects quality urushi.” | Interview with Takeo Kudo\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e56 Traditional Gold Leaf Manufacturing\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e62 “Our generation is sowing the seeds that our sons’ generation will reap the harvest of ” | Interview with Kenichi Matsumura\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e66 Decorative Metalworks in Nikko\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e82 “Techniques still seen in Nikko’s decorative metalworks” | Interview with Masao Suzuki\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e89 Kumimono model of Toshogu Shrine, Yomeimon Gate\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e94 The long journey of preserving the architecture of Nikko | Kazutoshi Asao\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e102 Architectural design \u0026amp; decorative technology of Nikko Toshogu Shrine | Shigeru Kubodera\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container subtitle\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e〈Appendix〉\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e110 [Appendix A] List of “Techniques of traditional architectural craftspersons”\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e112 [Appendix B] Decision of the UNESCO’s Intergovernmental Committee on “Techniques of traditional architectural craftspersons”\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e114 [Appendix C] List of Structures at the “Shrines and Temples of Nikko” World Heritage Site\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e116 Exhibition List of Works\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"subgrid-container\"\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cem\u003e\u003cstrong\u003e122 Bibliography \u0026amp; Outline of Exhibition\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"grid-item\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWeight:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e479g\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSize (length, width, thickness):\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e297mm,\u003cspan\u003e 210\u003c\/span\u003emm,\u003cspan\u003e 18\u003c\/span\u003emm\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e# of Pages: \u003cem\u003e\u003cstrong\u003e128\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAdditional Information: \u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cstrong\u003eThis book is a great resource with lots of pictures and English translations.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003e※ Because the Takenaka Woodworking Tool Museum's book series cannot be sent overseas, I will charge a handling fee of 1,100 yen per book.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"TENMOKU","offers":[{"title":"Default Title","offer_id":47854721728750,"sku":null,"price":3600.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/0162\/5326\/files\/DSF6225.jpg?v=1775354476","url":"https:\/\/tenmoku0701.myshopify.com\/products\/the-colors-and-metalwork-of-revealing-the-mystery-behind-the-architectural-beauty-of-its-shrines-and-temples","provider":"TENMOKU","version":"1.0","type":"link"}